The bones of the building, its mouldings, huge windows, stained glass, floor to ceiling bookshelves and parquet floors are utterly utterly magnificent, and then there's the decoration. Meg's own apartment is probably the most memorable here, and is really the ultimate expression of the shabby chic aesthetic that was so popular at the time. If this is what living in Manhattan in the 90s was like, let's all get in the time machine now. Tom Hanks is also back on a houseboat by the end, and Meg has the additional charming backdrop of her children's bookshop, The Shop Around the Corner. The pinnacle of Ephron's movie interiors is surely to be found in You've Got Mail, where both Meg Ryan and Tom Hanks have absolute showstoppers of apartments. This content can also be viewed on the site it originates from. Billy Crystal's character revels in some clean-lined classic 1980s interiors throughout, while Meg Ryan (as she was destined to do in her next two Ephron-directed movies) leans into the group of textiles we'll call ‘comfort fabrics’. Although the true classics of Ephron's oeuvre date to the 1980s and 90s, there's something timeless about them, and we're here to examine the signatures of the style (with an assist from the excellent Instagram account When Harry Met Sally (1989)Įphron started out her career writing screenplays first for the movie of her book Heartburn, which was based on her second marriage, and then for this smash hit directed by Rob Reiner. A glossier, more luxurious version of the same aesthetic has been the hallmark of Nancy Meyers' famously desirable movie interiors ( the cottage from The Holiday, anyone?). Meg Ryan's apartment in You've Got Mail will surely never grow old as an example of the ideal single woman's space. Whether she wrote or directed her films, plenty of her thinking on the subject seems to find her way into the sets, which might often be remembered for rather feminine interiors that convey a strong sense of lived-in comfort. Ephron thought long and hard on the subject of home, and wrote memorably about her beloved apartment in The Apthorp on Manhattan's Upper West Side for The New Yorker. The writer and filmmaker Nora Ephron brought an irresistible sensibility to the movies she made over the course of the 80s, 90s and 2000s a warmth and light-heartedness that you can find in her writing and that also translates seamlessly into the interiors her characters inhabit.
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